Ramu, take it easy.
You started it with "Ram gopal Verma ki aag". I kept silence, thinking its an unforced error from a top seed player. Though I saw the movie on a pirated copy in a Volvo - It made me feel cry. I couldn't bear the resemblance of "Sambha and Tambe","dhanno and ghungaroo." Mohanlal just couldn't fit in. With such a flawed dialogue delivery, I kept thinking that Babban must have cut Narsimha's toungue. Any ways, I admired your guts Ramu and pardoned this sin of yours.
But then you came up with a so called horror film - "Darling". this time I just had 1 question.
"Why Ramu, Why?". "तुमने ऐसा क्यों किया हमारे साथ, क्यों~??" . the film was not horror film, instead it was a filmy horror! Esha Deol as an actress is scary enough, then why go and extra mile and make her a ghost? Fardeen Khan - Amen. Even a broomstick can show some facial expressions but not Fardeen. His face remains as plain as his father Feroz's bald head. And the over all film - it wasted my 30 Rs. movie ticket. It was then I had a doubt that Ramu, you're loosing it.
The camera Angles in Sarkar raj confirmed my doubts. The camera was placed at most unusual places - in a corner, near fan, overhead and probably everywhere. "Agyat" was the second last nail in camera's coffin. The camera movements felt like a worm struggling for its last breath. I shall not insult the blogger community by discussing "Agyaat" here.
"Rann" completed the weird camera movement trilogy. What a sheer waste of camera! Ramu,
there is one scene in which I literally struggled to see an actor - It was supposed to be Rajat kapoor. Only things I spotted in the scene were - an object similar to a leg, a sofa and fan roaring at full speed. Artistic? Experimental?
I am eagerly waiting for the next film Ramu, at least it would save me my Ophthalmologist's diagnosis fees.
Sunday, February 14, 2010
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